To help you get to know the Studio Fridays artists better, I’ve asked each of them to share three pieces of their work and answer three questions about their practice. Here is……
1. My favourite work from last year is:
Horizon
40 x 40cm
Oil on canvas board
This painting was based on a magical scene in Scotland – it shows the light falling through the mists above the mountains to create a bright white line defining the horizon. When sailing, I am always inspired by this beautiful natural phenomenon.

2. The piece I am working on now is:
Untitled
40 x 40cm
Oil on canvas board
In this work I have been experimenting with the use of a palette knife rather than brush marks to create a more dramatic effect in portraying the snow on the mountains and rocks in the foreground. I continue to use a limited range of unrealistic colours to create a more dramatic ethereal effect.

3. My favourite work ever is:
Illumination
40 x 40cm
Oil on canvas board
2022
I feel I have captured a mystical, other worldly mood in this work, with its strong colour palette and the way the light falls on the rock. I was very flattered that it was chosen as the background for the Studio Fridays Art Fair banner in 2022 and was selected and used as part of the window display for the Gallery at Green and Stones Summer Exhibition.

4. Who are your artist influences?
I am influenced by artists who painted light such as the 17th century Dutch landscape painters and William Turner, especially his energetic, dramatic seascapes. I also relate to paintings by Caspar David Friedrich – a Romantic landscape artist. The atmospheric Scottish marine scenes by the late Norman Ackroyd and works by the late Fred Cuming also inspire my paintings.
5. Describe your work in ten words or less:
I paint atmospheric seascapes with a strong sense of light.
6. What subjects are you most interested in?
My interest lies in travel and the sea. Sailing experiences have exposed me to the vagaries of weather with all its different moods – some magical, beautiful and exhilarating; others mysterious, dramatic and terrifying. I relate to the romantic concept of the ‘sublime’ – nature can be awe-inspiring and beautiful but also hazardous and menacing.

No Comments Yet